Es luft gerade .......

the cardigans – Nil

 

For You

Manfred Mann

 

...Uwe bald aus...

:angry:

 

Good bye Johnny............

 

;( ;( ;(

sehr traurig.........

 

Wenn ich das jetzt auch nicht so unbedingt verstehe??

China Girl

David Bowie

 

David Bowie:

Young Americans

 

live @ dance department 2003

 

sigur rós - syndir guðs (opinberun frelsarans)

The Band- sigur rós:
Named in part after a sister of one of the bandmembers, Reykjavik, Iceland's Sigur Rós ("Victory Rose") was formed by guitarist and vocalist Jon Thor Birgisson, bassist Georg Holm, and drummer Agust. Formed while each of the members were teenagers in early 1994, the trio's first recorded song earned them a deal with Iceland's Bad Taste label. Their sprawling debut LP, Von (Hope), was released in 1997, followed the next year by a collection of remixes from that album, Recycle Bin. Kjartan Sveinsson joined the band on keyboards and the band recorded 1999's strings-heavy Ágætis Byrjun (Good Start), earning them numerous accolades in their homeland and achieving platinum status in sales. Agust then departed and was quickly replaced by Orri Pall Dyrason. "Svefn-G-Englar," their first release to be distributed outside of their native country, was hailed as NME's Single of the Week during September of 1999, launching a press hype steamroller in the U.K. and -- to a lesser extent -- in the U.S. The "Ný Battery" single was issued in early 2000, the band's breakout year. British independent Fat Cat began distributing the band, stretching their reach beyond Icelanders and rabid journalists. April dates in England with Godspeed You Black Emperor! were capped off by an appearance at the All Tomorrow's Parties festival, and they also opened several dates of Radiohead's European tour before year's end.

Sigur Rós spent the first three months of 2001 away from the road, setting up their own studio and making their third album. Meanwhile, Ágætis Byrjun found a label in the U.S. and worldwide press became increasingly positive and varied; both Entertainment Weekly and the Wire ran features on the band. The group began touring again in April, playing more shows in Europe, a handful in the States, and several more in Japan throughout the remainder of the year. By the end of the year, Ágætis Byrjun had won the Shortlist Prize for Artistic Achievement in Music; it was also declared Iceland's Best Album of the Century.

2002 saw the release of ( ), Sigur Rós's third 70-minute album. The majority of the material was honed on the road prior to being recorded at Alafoss, the group's studio located outside Reykjavik. The album featured a raw sound in comparison to its predecessors and scaled back the extreme highs and lows that were prominent on Ágætis Byrjun.

The album - Von (1997):
The heaps of praise during 2000 surrounding 1999's Ágætis Byrjun brought surprisingly little attention to Sigur Rós' first record, released in 1997. Remaining available only through the band's Icelandic label, it took some effort to obtain, but those who did get a copy probably found it to be just as adventurous as Agætis. Though darker and more fractured than the string-laden nooks of the follow-up, it's just as sprawling and outright bombastic. It's remarkable that such a young band would be this experimental at this stage in their lifespan, but the sheer breadth gets to be an albatross. Poking fun at '70s prog rock is just as easy as shooting at cement gargoyles on a suburban rooftop, especially when you're an indie kid or a fan of post-rock. But Sigur Rós makes Yes look like the Minutemen. Whittled down to 40 minutes, Von would be considerably more effective than it already is. As a mood setter, the 10-minute opening track really takes about three minutes to do what it needs, and a few other spots seem to drag on for the sake of sucking time. That doesn't prevent Von from being impressive, veering from Gavin Bryars-style aquatic minimalism to My Bloody Valentine-style dream pop. Varying states of isolationist ambience run throughout, whether evoking unrest or tranquil rest. You can practically envision a stray headboard floating through the Sinking of the Titanic-type passages, and the lush "Myrkur" comes from a planet where MBV's Kevin Shields and Kitchens of Distinction's Julian Swales are accorded the level or worship that Earth gives to Hendrix and Clapton. And then there's that voice, one of the most distinctly unintelligible voices since the Cocteau Twins' Liz Fraser. Boy? Girl? One would be hard-pressed to guess without liner notes. Based on pure sound, Von is just as much of a treat as the acclaimed follow-up.

 

out in the space

 

studio instrumental*

*wie funky!

 

... der gottverdammte Michael Schanze mit seinen gräßlichen singenden Blagen im Nebenzimmer, weil ich den Fernseher einfach hab laufen lassen - eine fatale Entscheidung.

 

Yann Tiersen - J'y Suis Jamais Allé - Le Fabuleux Destin d'Amélie Poulain

Dazu ein halber Meter Baguette, ein Stückerl "Banon de Banon" und ein Glaserl "Sélection Costeplan".
Yummy.
Und wenn ich dann noch an das leckere Maid aus dem Film denke.....
http://www.imdb.com/gallery/ss/0211..._32.jpg?path=pgallery&path_key=Tautou, Audrey
Yummy.

The album - The soundtrack to Pierre Jeunet's charming, slightly surreal romantic comedy Amelie features music by Yann Tiersen. Just as the film presents an idyllic, idealized version of Paris, Tiersen's score captures the most romantic aspects of French music, complete with fluttering accordions, delicate harpsichords, mandolins, and poignant strings and pianos. Pieces like "J'y Suis Jamias Alle," "Le Moulin," "La Valse Des Monstres," and "Les Jours Tristes (Instrumental)" -- which features a toy piano -- convey the film's sweet, slightly skewed outlook perfectly, and are completely charming in their own right. Aside from the three variations on the heroine's theme, "La Valse d'Amelie," most of the score comes from Tiersen's other albums, making Amelie a fine introduction to his work as well as an appropriately winning soundtrack.

 

Akiem, es freut mich das du in alten Errinnerungen schwelgst, aber muss das immer so ausarten ? Aber nich hier auch noch die Reden aus dem 3. Reich posten, nich wahr

Grüße, Olli

 

Hallo akiem alter "Freund".

Wo warst du denn so lang?

Hab' mir schon gedacht, daß du sowas hörst.

 

Yebo

Art Of Noise

 

Ding Dong

Klaus Nomi

 

Oh fein! Und bei mir:

Misc – endlich wieder unscharf.

 

Visionaire

Tiamat